It ’s been nearly four years since Canon released the EOS 5D Mark II , the camera that turn digital still cameras into affordable workhorses for videographers and indie filmmakers . And this next evolution was by all odds created with those movie maker in thinker .
In creating the 5D Mark III , Canon hear to all of the review and complaints about the Mark II , refining the ironware , functionality , and capabilities of its deadly popular shooter . It may be more update than gyration , but damn : This tv camera is sugared .
Why It weigh
The 5D Mark II , priced at $ 2,500 , was the first legitimate budget - price alternative to the expensive digital cinema cameras from the companies that dominated Hollywood : Sony , Panavision , and , more recently RED . Yes , at its heart , it was a camera for still picture taking , but filmmakers used the 5D Mark II to shoot action scenes in Captain America , as well as TV footage in display like House and Saturday Night Live . More significantly , main hit man used its buffet of lenses and HD skills to make startling videos without studio budget . It was a vehicle for institution . On a technological layer , the 5D Mark II could n’t compete with the digital equipment used by big Hollywood studio — but no one seemed to handle . In the right hands , it grow some truly beautiful television .
But the 5D Mark II was far from utter . As more and more filmmakers and videographers started using it , they discovered countless ways the camera could be meliorate . Canon was paying attention , and the Mark III is the scrappy arriviste , matured into a serious video sidearm .
Using It
The Hardware : Burly Body , Beautiful showing
The biggest differences between the Mark II and Mark III are hidden inwardly , but the 5D Mark III ’s body and exterior dominance layout have also realize some melioration . It ’s courteous to entertain and easier to use . The tycoon shift , for example , has been crab up and move to the top of the camera next to the musical mode dial . It ’s easier to find , and intemperately to accidentally flip . That might seem like a small-scale purification , but it ’s an exemplar of the kind of matter that push back exploiter banana .
The modal value telephone dial has also been fortuity - proofed with the same press - to - reverse lock in button found on the 60D. It is now inconceivable to accidentally switch shot mode when treat the camera . Next to the shutter release , the 5D Mark III gather a handy multi - function push button , which you may assign unlike function , like quickly changing the ISO .
On the front of the television camera , the deepness - of - field preview has been greatly enlarged and act to the opposite side of the lens , so it ’s now much easy to press using your right hand . The playback controls , including a unified zoom button which works with the ascendance cycle , are now found to the left field of the Mark III ’s show . A charge per unit push lets you rank your shots , so you when you ’re out pull through computer memory cards , you could well take down which snap fastener are in reality good , and see the valuation later on your estimator . The info is stored in each shot ’s EXIF data . Another nearby clit accesses the Mark III ’s new work up - in HDR options .
The magnesium admixture plate positively tank car - corresponding , and it would take a tornado to yank the photographic camera , with its lusterlessness textured finishing from your hairgrip . We particularly like the extra - thick channel on the upper right side of the camera ’s back , which cater a place to really dig in with your thumb and grapple the television camera . Even the atmospheric condition - proofing on the Mark III has been improved , although it wo n’t survive a head trip through the pelting timberland ( use the new 1D X for that ) .
Like its predecessor , the 5D Mark II , the Mark III will take Compact Flash cards , but it will also mirthfully nosh on SD now as well . The two slot live under the same hatch , and Canon give you a short ton of option for how to use the cards in tandem bicycle : Paranoid photogs can set it up so that all the shots are simultaneously drop a line to each visiting card for redundant backups . When using cards of notably different capacities , you may have the Mark III write birthday suit files to one card and economise JPEGs to the other .
It ’s also concentrated not to wish the Mark III ’s beautiful 3.2 - in 1,040,000 pixel LCD display , borrowed from the 1D X. Images were visible even in bright sunlight . Because the panel is bonded directly to the glassful silver screen , glare was never an proceeds . That presentation resolution is n’t just for eye candy . In playback mode , the more technically - disposed lensman can call up two shots simultaneously and compare them side - by - side , even with overlaid histogram information .
The hardware improvement made to the 5D Mark III are all certainly very insidious . But at the same time , they ’re definitely noticeable , and most sure enough receive . You ’ve got to appreciate the humble things — how plow the roll wheel just feels better . Or how the camera is just more comfy to obligate . These minor but welcome melioration and nuance add up to make the Mark III a substantial upgrade .
Low - sluttish Performance & ISO : Less Noise in the Dark
Beyond its video recording capabilities , one of the things that secernate the 5D Mark II was its awesome low-spirited - light performance . The Mark III improves on this noticeably . Its full - frame 22.3 - megapixel sensing element might only be marginally larger than the 21.1 - megapixel sensor on the Mark II . But its new design utilization pixels that work better in down in the mouth - light conditions , even though they ’re smaller than those on the Mark II . It ’s counter - intuitive , we know , but the new purpose include a gapless micro lens of the eye — also borrowed from the 1D X — that basically lets more light get through the sensor ’s pixels . And that ’s a very good thing .
While the 5D Mark II maxed out with an ISO terminus ad quem of 6400 , the Mark III can shoot up to ISO 26,500 , with expanded ISO range that goes as high as a whopping 102,400 . Canon arrogate that shooting at ISO 3200 on the Mark III produces the same amount of noise as shoot at ISO 800 on the Mark II , and our examination confirmed it .
When shooting at ISO 3200 , the confusion was definitely noticeable , but it only seemed to set up its worthless head in the darker country of our still - spirit apparatus — like on the black coffee mug , or in the sorry mid - tone shadow areas . In the brighter surface area of the scene , the randomness really only becomes apparent when you ’ve push the camera ’s ISO to 6400 or higher . Private investigators or secret agentive role who spend their times in badly lit bowling alley will for certain treasure being able-bodied to boost the Mark III ’s ISO to 102,400 , but the rest of us will be well-chosen that the camera still produces very usable images even with the ISO pushed to the 3200 to 6400 ambit .
In terms of charge video , noise became detectable on the 5D Mark II with the ISO set at around 800 . In our examination on the Mark III , it does n’t seem until around ISO 1600 — and that ’s when fritter away at dark , without consecrate lighting . Depending on the aspect , what you want the footage for , and the available lighting , you’re able to easily push the Mark III ’s ISO as high as 8000 and still come away with footage that ’s very available . There will be noise , that ’s for certain , but video is far more exonerative than still exposure .
motorcar - focus : The Biggest Improvement
The Mark II was criticized for its limited and slow motorcar - focus capability , which it carried over from the original 5D. So at this point the Mark II ’s 9 - item automobile - focus system is almost ten years old , and in need of an update . canyon certainly do through here . The dated 9 - item AF organization has been exchange with the 1D X ’s grotesque 61 - period AF organization . Combined with a smoking new Digic 5 + processor the Mark III focalise shockingly fast , even when there ’s not a lot of visible light .
Having that many artificial eyes focused on a scene and a fast central processor also makes the 5D Mark III particularly adept when it comes to automatically choose a subject to target or concentre on in a scene , and stick with it . professional person can pull off and fine - tune the tv camera ’s tracking predisposition and characteristic to their needs , but regular mass can get shockingly good solution with the six presets . They get over the most common scenarios : tracking the subject when they ’re make a motion erratically , apace accelerating and decelerating , or even getting obscured by other objects in frame . To say the AF system of rules has been improved on the 5D Mark III is an understatement . While the majority of the update on the 5D Mark III might come across as just minor nuance , the new AF system alone could justify the upgrade , peculiarly when photograph topic who just wo n’t stick still . Like jock . Or children . Or puppies .
Videography : fundamentally A Rerun
The 5D Mark III , as a whole , is a definite footstep up from the Mark II . But Canon has n’t done a luck to improve its video capabilities , which is odd . Indie filmmakers first embraced the 5D Mark II , and Hollywood after took notice . In years since , the Mark II has since filmed countless films and television set appearance . They even shot an entire episode of House with it . You ’d think that Canon would have considerably beefed up the 5D Mark III ’s video capableness . But the improvements there are only fringy .
The Mark III has nearly the exact same TV and framerate mode as the Mark II does ( after a series of microcode update ) . One gain : If you ’re shooting at 1280×720 , you’re able to now capture eminent - hurrying footage at 60 frame per second . If you ’re not capturing audio recording separately , a newfangled headphone jack is a welcome melioration . It let you supervise audio levels while you hit . And the large scroll cycle on the back of the Mark III has also gain feeling functionality , letting you adjust background while recording — like audio levels , shutter speed , or aperture — without generating noise by physically turn the dial .
Unfortunately , there ’s still no way to get an uncompressed video signaling out of the 5D Mark III . The HDMI connecter is limit to 720P with selective information overlays that make it useless for anything but monitor the shot . But there ’s a newfangled codec choice with a compression algorithm that processes and constrict each frame individually , instead of comparing it to neighboring frames , which makes post - processing and editing easier . Andreports are come inthat the footage catch by the Mark III holds up intimately in post - production when perform extreme grading and color correction adjustments .
likely the big downside to shooting TV on a DSLR is the rolling shutter issue . This can cause objects that are moving to take care like they ’re wiggling and buckle during immobile camera moves . An object moving apace enough will in reality stop up in a unlike part of the scene before the entire underframe has caught up . It ’s an issue native to cameras that utilise CMOS sensors — like DSLRs — but it ’s been importantly minimized in the 5D Mark III .
you may certainly still see it happening in our utmost whip - pan tests . During the sudden stop , everything in the scene appears to snap back into place . But with less jarring television camera motion , you barely see it .
HDRI : Just Do It in Photoshop
High dynamic range mental image and DSLRs have gone hand in hired hand as long as both have exist . Photographers typically have created HDRIs by import RAW files , or a serial of exposure - bracket images , into post - processing software . With the 5D Mark III , it can all be done in the camera .
In HDRI mode , the 5D Mark III will automatically snap three separate images — one with a standard photo , one underexposed , and one overexposed — and combine them into a single HDR composite saved on the wit along with the three source images . There ’s nowhere near as much originative control condition as a photographer would have when using a peter like Photoshop , but Canon does leave five dissimilar effect to prefer from : rude , artwork standard , nontextual matter bright , art sheer , and art embossed .
The born mode gives you a final composite with a somewhat better dynamic range than if you were just scoot a undivided image . As you may see in our sampling , the resultant are far from dramatic . Art standard does bring forth a final complex with more detectable results . But towards the edges of large areas with high dividing line , you start to see the over - processed HDR upshot that gamy dynamic reach images have unfortunately become acknowledge for , With enough detail in your simulacrum , those nasty side impression are n’t as obvious , and the art standard setting can yield very usable results .
As for the art lifelike , graphics bold , and art brocaded choice , the HDR effect is just too overdone to be used for anything other than novelty purposes . And even then , the results are pretty garish .
Like
First and first , the 5D Mark III takes beautiful photos , and improves on a camera that was already wonderful . The small changes on its body make the Mark III even more easy to employ , while the tweak made to button emplacement and the layout of its control are consistent improvement that anyone will revalue . mass who have put in serious time with the Mark II , however , are become to be airheaded .
While the Mark III ’s sensor only provides a slender bump in settlement , it ’s a completely new design that vastly improves the television camera ’s low - light capability . It really does let you fight the tv camera ’s ISO to 3200 — and even mellow — without ache unuseable amount of grainy haphazardness .
No Like
turn over how popular the 5D Mark II became in the videography community , we ’d have like to have determine the Mark III ’s video capabilities improved a bit more . The summation of a consecrated XLR microphone jack is probably a pipe dream , but a 60P musical mode at 1920×1080 for capturing high - speed footage in full HD would most sure enough have been appreciated . While the new video compression codec option make redaction and post - processing footage a little easier , the camera is still lacking a way to get an uncompressed HD sign out of the television camera . That capableness alone would have made the 5D Mark III a must - have .
Should I grease one’s palms It ?
You should ! Yeah , theMark II is still a killer mess , but the 5D Mark III is better . That ’s all there is to it . The refinements just make it a vastly well tool for photographers and videographers . The autofocus system alone is enough to warrant choosing the Mark III over the Mark II . But it ’s all of the refinements — the inwardness of the Mark III ’s function — that make it the best tv camera you’re able to spend $ 3,500 on .
https://gizmodo.com/why-you-should-buy-a-canon-5d-mark-ii-instead-5889763
Since the 5D Mark III was officially revealed , it ’s been touch on to as just a marginal refinement to the 5D Mark II , with a bad price tag . That ’s unfair . It ’s more like an low-priced alternative to the $ 7,000 Canon 1D X. From the AF organisation , to the processor , to the splendiferous presentation , the television camera deal a considerable amount of blood line . While the 5D Mark III might not live a photo safari in a monsoon , you ’re getting some of the best parts of Canon ’s new flagship DSLR for about half the price . [ Canon USA ]
canyon EOS 5D Mark III
cost : $ 3500 ( body )
Sensor : 22.3 - megapixel , full - framing ( 36.0 millimetre x 24.0 mm ) CMOS
Processor : Digic 5 +
Max ISO : 25,600 ( standard ) , 102,400 ( expanded )
Max Image Size : 5,784 x 3,856
Video : 1080p ( 24/25/30 Federal Protective Service ) , 720p ( 24/25/30/50/60 Federal Protective Service )
show : 1.04 - million dot , 3.2 - in liquid crystal display
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